Filling in Oriental Art ~ Sunako-

Metal Leaf Expressions In Oriental Art -Sunago-

As seen in a passage of yin and yang in Nihonshoki, adoration of the sun in Egyptian art, golden Buddha statues and the Creation of light in Genesis, humans have worshipped “light” and it has been the basis of faith from ancient times.


Bodhisattva Kannon, Edo period (1615–1868), The Metropolitan Museum of Art



However, it was not until 18th century that the path to the everyday use of electrical power was invented by Thomas Alva Edison. Until then, people had long been depending on the natural light and fire for a light source. Therefore, gold, which has strong shine and preservability and is easy to process, became the center of attraction in the aesthetics and evolved into various art style in the world.


《Old Plum》Kano Sansetsu (Japanese, 1589–1651) ,1646, The Metropolitan Museum of Art


In particular with Japanese art, predecessors had sought the way to express the “light” under the environment of a dusky traditional Japanese-style house. As a result, many art works with gold leaf were created such as Kinbyobu (gold-leaf folding screen), Makie (Gold lacquer), and Kirikane (metallic foil cut into strips or other shapes to form decorative motifs).


《Tea jar》Edo period (1615–1868), The Metropolitan Museum of Art



Among these various leaf expressions in the oriental art, this article will introduce the technique called “Sunago.” Sunago is a technique to make a metal flakes and sprinkle over the canvas by using bamboo tube to sieve the gold leaves. This technique is used for a ryoshi decoration as well as the expression for things such as the ground the haze.


《Segment of the Lotus Sutra (Hokekyō)》Attributed to Kujō Kanezane (Japanese, 1149–1207), 12th century, The Metropolitan Museum of Art



This can also be found in an imperial property in Shosoin from Nara period, as a way to decorate the paper. The technique was further developed after Kamakura period and artists used the specific type of leaf called Noge as well as the size of big and small.


In PIGMENT, we have a basic Sunago package for beginners. You will be able to experience the technique of Sunago in three steps.



①Firstly, apply the animal glue onto the washi paper.




②Then, put the metal leaf into the bamboo tube just like straining and sprinkle over the paper.





③Press the slip sheet over the paper and let it dry and done!





You can also sprinkle the gold and silver leaf alternately to create a beautiful expression.





You can express further by sprinkling the colored washi paper in the same way. The tutorial video is on our Instagram.

https://www.instagram.com/p/BX2RmQCAXGh/



This Sunago package is available both in-store and online. Please enjoy the beauty of metal leaf.



You can learn three techniques, Sunago, Hiraoshi, and Kirihaku in our Metal Leaf Workshop. Please click the link below for further details.

・ Introduction of Metal Leaf

January, 25th, 2019(Fri) 7pm – 8:30pm

https://pigment.tokyo/en/products/74


For those who are interested in the Ryoshi decoration, please also check out this workshop.

・Workshop for Creating Original Ryo-shi

January, 19th, 2019(Sat) 1pm – 3pm

https://pigment.tokyo/en/products/72


*These events have ended.
Find the latest information about our workshops here.

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大矢 享

PIGMENT TOKYO 画材エキスパート

大矢 享

1989年東京生まれ。 日本大学大学院芸術学研究科造形芸術専攻博士前期課程修了。 PIGMENTにて画材エキスパートとして携わりながら、平面作品を中心にアーティスト活動中。

1989年東京生まれ。 日本大学大学院芸術学研究科造形芸術専攻博士前期課程修了。 PIGMENTにて画材エキスパートとして携わりながら、平面作品を中心にアーティスト活動中。