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PIGMENT LAB TOKYO

Japanese Painting Workshop -Secret Behind the Gofun (shell powder) and Mineral Pigment *w/Eng.

HOME / WORKSHOP / Japanese Painting Workshop -Secret Behind the Gofun (shell powder) and Mineral Pigment *w/Eng.
  • June 23 (Sun), 2019

  • 13:00 - 18:00

  • PIGMENT TOKYO

Ticket available until 2019/06/22 23:59

This course will be in Japanese

price

20,000 JPY

option

   +  English Support    20,000 JPY

Access

2-5-5 Higashi Shinagawa Shinagawa-ku, Tokyo TERRADA Harbor One Building 1F

Description

Lecture by Kei Iwaizumi

Master the White and Control the Color
-The Aesthetics of Texture in Color and Particle-

Japanese painting is known as the painting that uses natural pigments. Back in time, these natural pigments were also used in China, Europe and other places in the world, but they were replaced by affordable synthetic pigment, whose particle is even and fine after the Industrial Revolution. In Japan, however, drawing the line between these mainstreams, painters utilized the characteristics of animal glue as a binder and developed the pigment that is focused on the texture. As a result, we now have unique techniques of coloring and materials such as the mixture of pigments and animal glues.
In this workshop, focusing on the gofun and mineral pigments, we will learn the techniques that have cultivated in Japan through both theory and practice. In Japanese paintings, just like the saying “Starts with gofun and ends with gofun”, much importance has been placed on how to knead the gofun and how to use them. Normally, gofun is kneaded in the technique called “Hyakutataki” (beating a hundred times). In this workshop, we will learn the technique not the Hyakutataki but the special one that has been handed down by word of mouth. Also, we will introduce the technique called Guenogu and Guzumi to create a neutral color with gofun and many other techniques related to gofun.
Mineral pigments are made by pulverizing a rock, and the color tone is determined according to the size of the particle. Thus, as well as the color depth, there co-exists the texture created by the small and large of the particle. It has a unique character that other paints do not have. The coloring is also interesting such as “Tamenuri”, “Tarashikomi” (marbling) and “Horinuri” (the technique where underdrawings in sumi ink is not painted over) and we will introduce widely from traditional techniques to the front-line techniques.

As you can see, this workshop is very fruitful, where you will be able to learn various techniques related to pigments of Japanese paintings in a day. This workshop is for anyone who paints Japanese paintings, who wishes to start Japanese paintings in the future and people who want to incorporate these materials into your work. We hope to offer knowledges to broaden your expression. Please do take part in.

About Cancellation


If you will not be able to attend the workshop after booking the ticket, please kindly contact us.
We can refund the workshop fee when you inform us your cancellation 14 days ahead of the workshop.
Please note that transfer fee will be at your expense.
If it is passed before 14 days, the workshop fee will not be refunded for any reason.
We will refund the full price when the class is canceled due to the company's circumstances.
Thank you for your understanding.

Instructor

Kei Iwaizumi

Doctor of Fine Arts at Kyoto University of Art and Design
Instructor of Japanese Style Painting Course at Kyoto University of Art and Design

He graduated from Kyoto University of Art and Design with Doctor of Fine Arts degree in 2015. His thesis was about use of animal glue in painting. While teaching about art materials at Kyoto University of Art and Design, he also continues his career as an artist. Main concept of his works is physical existence of materials.

Doctor of Fine Arts at Kyoto University of Art and Design
Instructor of Japanese Style Painting Course at Kyoto University of Art and Design

He graduated from Kyoto University of Art and Design with Doctor of Fine Arts degree in 2015. His thesis was about use of animal glue in painting. While teaching about art materials at Kyoto University of Art and Design, he also continues his career as an artist. Main concept of his works is physical existence of materials.

Access

2-5-5 Higashi Shinagawa Shinagawa-ku, Tokyo TERRADA Harbor One Building 1F